For the first time ever, the feeling of weight in the wheels is adjustable. Our patented Inertia Motors inside the wheels create inertia exactly like heavier wheels. And not only that, you can change it between shots to suit the creative needs.
Introducing digital drag. Never before has drag been digital. The Inertia Motors can add selective drag into the wheels. Choose how much you want and save it as a preset.
A joyful operating experience. The sum operating experience between adjustable drag and inertia is groundbreaking. The feedback received from veteran operators is overwhelmingly joyful. Being able to choose how the wheels feel in multiple dimensions has never been possible before.
900 MHz and 2.4 GHz working together. The Inertia Wheels have two radios. Our dedicated uplink runs on the wide-open frequency of 860-920 MHz—skirting by interference on the crowded 2.4 GHz. The downlink for feedback from the camera back to the wheels runs independently at 2.4GHz.
Dedication to low-latency. The dedicated uplink radio ensures there is no pause in the uplink signal to receive a reply—resulting in less latency and a snappier feel. Other wheels with only one radio spend 50% of their time listening for feedback.
Built-in frequency scanner. Scan for interfering signals near your current frequency to find the one with the least activity using the internal frequency scanner.
Third Axis. Everyone wants to roll the camera, so we’ve provided a Third Axis wheel. Use it either as a classic mounted wheel or, for the quick shot, a simple hand unit.
More dimensions of control. Assign more than just roll to the Third Axis. For MōVI’s with the Freefly API available, control focus, iris or zoom.
Handheld simulation or shake effects. The Inertia Wheels have built-in Effects. Imagine a shot starting out as a handheld chase scene that transitions in shot to a buttery smooth gimbal shot. Or add some selective vibrations in camera to that car scene. And you can assign control over these Effects to the Third Axis to dial the effects up, down, or completely out mid-shot. One person can focus on framing, while the other focuses on the effect.